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Atomos Shogun Inferno 7

Atomos Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor


Proizvođač: Atomos Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor
Dostupnost: Na stanju
Pozovite nas za najbolju cenu i azurnu informaciju o stanju.
Šifra Proizvoda: 6109

1920 x 1200 Touchscreen Display 10-Bit FRC Monitor Processing 4K HDMI and 12G-SDI Inputs/Outputs 1500 cd/m² Brightness HDR Mode with 10-Stop Dynamic Range High Bright Mode for Rec. 709 Viewing UHD 4K up to 60p / 1080p up to 240 fps 10-Bit 4:2:2 ProRes and DNxHR Encoding Records to 2.5" SSD/HDD Media Dual Sony L-Series Battery Slots


€ 1.400,00

Shogun Inferno

SHOGUN INFERNO

Set your set ablaze with Shogun Inferno, the ultimate 7" HDR monitor/recorder. Record ProRes RAW, ProRes, DNxHR or CDNG.

 

WATCH THE SHOGUN INFERNO VIDEO

Record ProRes RAW

Unlock the true potential of your RAW cinema camera with the Shogun Inferno. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Inferno is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT.


 

10-bit ProRes/DNxHR up to 4Kp60

Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability.

The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.

 

Bright, vibrant HDR images anywhere

The 7” 1920x1200 1500nit high bright HDR display allows you to see your images with unparalleled accuracy. Nail focus and exposure, even outside in daylight. The AtomHDR panel shows 10+ stops of HDR resolved in real time from RAW/Log/PQ/HLG sources.

 
 

Balanced XLR monitor & record

Eliminate the need for a separate audio recorder. Add 48V stereo mics via the balanced XLR breakout cable. Select Mic or Line input levels, record up to 12 channels of digital audio from HDMI or SDI. Monitor selected stereo via the 3.5mm headphone jack. There are dedicated meters, gain controls and adjustments for frame delay.

 

Professional monitoring tool

Shogun Inferno has extensive monitoring tools, including custom 3D LUTs, false color, peaking, movable 1-1 and 2-1 pixel magnification, waveform, RGB parade, vectorscope. You can even calibrate for color accuracy.

 
portable playdeck

Portable Playback Deck

The ultimate battery-powered playback deck, review and playout footage anywhere - scrub through, jog frame-by-frame and even watch back in slow motion. Metadata tag footage as you go to mark favorites, rejects and more. Bring your footage into your timeline and immediately filter your tags.

Quad SDI & HDMI 2.0 In/Out

Seamlessly connect any SDI or HDMI device for monitoring and recording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/Quadlink SDI in almost any combination and eliminate the need for specialist converters.

 

Edit HDR in the field

After shooting, immediately feed HDR into your Shogun directly from your Final Cut Pro X timeline using an I/O box for mobile HDR grading. We support any NLE or Grading suite that support our file formats - basically all of them!

  • 4K
  • HD
  • AtomHDR
  • HDMI
  • Avid DNxHR
Shogun Inferno

 

The Atomos Shogun Inferno is a 7", 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high-brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5" SSDs using 10-bit, 4:2:2 Apple ProRes, and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.

The monitor features 10-bit FRC processing and AtomHDR display technology support a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in presets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered.

In addition to HDR monitoring, the monitor also offers a High Bright mode for traditional Rec. 709 monitoring. This mode takes advantage of the full 1500 cd/m² brightness to allow for more confident monitoring in bright outdoor environments, even without a sun hood. In HDR mode, use of an optional snap-on sun hood is required, as displaying a wider brightness range reduces the overall brightness of the monitor.

Built to withstand the rigors of production, the Shogun Inferno features built-in protective armor that features silicone-covered corners and chamfered edges. Compared to the original Shogun, the Inferno now features dual Sony L-series battery plates that support battery hot swapping, enabling longer runtimes. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via an included audio breakout cable. Additional features included genlock/LTC input, SDI/HDMI cross conversion, and a variety of on-screen exposure analysis, framing, and focus assist tools.

 

Monitor
  • 1920 x 1200 resolution
  • 10-bit FRC monitoring processing
  • 1500 cd/m² brightness
  • AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage
  • Presets for viewing log gamma curves from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras
  • High Bright mode for Rec. 709 viewing
  • Supports custom 3D LUTs (.cube format)
  • Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
  • UHD 4K downscale for HD monitoring
Input/Output
  • 4K HDMI and 12G-SDI inputs/outputs
  • Four 3G-SDI inputs (or single 12G-SDI)
  • SDI/HDMI cross conversion
  • Genlock/LTC input
  • Audio breakout cable for XLR audio input
Recording
  • UHD 4K recording at 24/25/30/50/60 fps in ProRes or DNxHR
  • 1080p recording up to 240 fps
  • 10-bit 4:2:2 ProRes and DNxHR recording to SSD/HDD media
  • 4K raw to ProRes/DNxHR recording over SDI from Sony FS700, Sony FS7, Canon C300 Mark II, and Canon C500
  • ProRes Raw and ProRes Raw HQ
  • Record up to 5.7p30, 4Kp60, HDp240
  • Pre-roll record (HD 8 seconds, 4K 2 seconds)
  • Custom time-lapse mode
  • Ten metadata fields
Additional Features
  • Dual Sony L-series battery slots support hot swapping for continuous power
  • Built-in armor with silicone-covered corners
  • Audio level meters and mic level adjustment

Atomos Shogun Inferno Specs

Display
Type 7.1" / 18 cm IPS capacitive touchscreen
Resolution 1920 x 1200
325 ppi
Bit Depth 10-bit (8-bit plus FRC)
Video Aspect Ratio Native: 16:9
Brightness 1500 cd/m²
LUT Support 3D LUT (.cube file format)
Interface
Inputs 1 x HDMI (2.0)
4 x 3G-SDI Quad/Single 12G-SDI (BNC)
1 x Genlock / LTC (BNC)
1 x 2.5 mm LANC
2 x XLR (included LEMO breakout cable required)
Outputs 1 x HDMI (2.0)
1 x 12G-SDI (BNC)
2 x XLR (included LEMO breakout cable required)
1 x 3.5 mm headphone jack
Supported Video Format
Supported Signal Input: 10- / 8-bit 4:2:2 (dependent on video source)
Output: 10- / 8-bit 4:2:2 (dependent on video source)
Input/Output Resolutions HDMI:
2160p: 24/25/30/50/60
1080p: 24/25/30/50/60/120/240
1080i: 50/60
720p: 50/60

SDI:
2160p: 24/25/30/50/60
1080p: 24/25/30/50/60/120
1080PsF: 24/25/30
1080i: 50/60
720p: 50/60
Video Signal Conversion HDMI to SDI:
2160p: 24/25/30/50/60
1080p: 24/25/30/50/60/100/120/
1080i: 50/60
720p: 50/60

SDI to HDMI:
2160p: 24/25/30/50/60
1080p: 24/25/30/50/60/100/120
1080i: 50/60
720p: 50/60
Encoding Formats DCI Raw 4096 x 2160 from supported cameras (Sony FS700, Sony FS7, Canon C300 MK II, Canon C500):
Apple ProRes Raw and ProRes Raw HQ, ProRes HQ, 422, LT
DNxHR HQX, HQ, SQ, LB

UHD 4K (3840 x 2160):
Apple ProRes HQ, 422, LT
DNxHR HQX, HQ, SQ, LB

1920 x 1080
Apple ProRes HQ, 422, LT
DNxHD 220x, 220, 145, 36
Pulldown Conversion 24/25/30PsF to 24/25/30p (2:2 pulldown)
60i to 24p (3:2 pulldown)
Supported Codecs Raw to ProRes/DNxHR
Apple ProRes: Raw, Raw HQ, HQ, 422, LT
AVID DNxHR: HQX. HQ, SQ, LB

Frame Rates
DCI / UHD 4K: 24/25/30/50/60p
PsF: 30/50/60/100/120/200/240

Video to ProRes/DNxHR
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame Rates
DCI / UHD 4K: 24/25/30/50/60p
PsF: 30/50/60/100/120/200/240
Supported Audio Formats
HDMI 2- or 8-channel, up to 24-bit (camera dependent)
SDI Up to 12-channel, 48 kHz, up to 24-bit (camera dependent)
Dynamic Range >90 dB
Signal Level Maximum: +24 dBu
Gain Maximum Analog Gain: +52 dB
Phantom Power +48 V phantom power for XLR inputs
Remote Operation
HDMI Auto HDMI trigger
Supported Protocols: Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
LANC Supports slave configuration
Recording Media
Supported Media 4K
2.5" SSD

HD High Frame Rate (50/60/120p):
2.5" SSD
2.5" HDD (7,200 rpm and up) for 1080p 50/60

HD (30p and less):
2.5" SSD
2.5" HDD (5,400 rpm and up)

Note: Only use media that has been approved by Atomos
Master Caddy Dock Interface: 2.5" SATA to USB 2.0/3.0
Supported Applications Final Cut Pro X/7+
Avid Media Composer 5.0+
Adobe Premiere 5.5+
Grass Valley EDIUS 6.0+
Sony Vegas Pro 10+
Lightworks
Autodesk Smoke 2015
XML Support FCP X XML native, FCP 7 supported with conversion (Adobe compatible)
General
Power Requirements 6.2 to 16.8 VDC (battery or DC power input)
Power Consumption 10 to 24 W
Supported Battery Types 2 x Sony L-series
Battery Life 5200 mAh: Up to 1.5 hours (monitor and record 4K)
7800 mAh: Up to 2.2 hours (monitor and record 4K)
Construction ABS polycarbonate
Dimensions 8.4 x 5 x 1.8" / 21.4 x 12.7 x 4.5 cm
Weight Without Batteries & Media: 1.4 lb / 0.65 kg
With Batteries & Media: 2.4 lb / 1.09 kg
Packaging Info
Package Weight 3.5 lb
Box Dimensions (LxWxH) 10.0 x 6.6 x 4.0"



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