Fuji X-Pro1 35mm

Proizvođač:	Fuji

Šifra Proizvoda:	4283

Najznačajnije karakteristike Fujifilm Finepix X-pro 1: APS-C X-trans CMOS sensor EXR procesor 16 megapiksela optičko/elekrtonsko tražilo dvostrukog uveličanja novi redizajn posebno prilagodjen za objektive manuelna kontrola brzine zatvarača i ekspozicije RGBW LCD ekran od 3 inča

Dostupnost: Nema na stanju

POZOVITE ZA CENU

Fuji X-Pro1 35mm

Feature 1APS-C 16M “X-Trans CMOS”

Developed to take advantage of the exceptional resolution of the XF lens, a revolutionary new sensor inspired by film.

Moiré is tackled at its root cause by the innovative color filter array of the new sensor. By enhancing the aperiodicity (randomness) in the array arrangement, the color filter minimizes the generation of moire and false colors, eliminating the necessity for an optical low-pass filter in the lens and enabling the sensor to capture the full “unfiltered” resolution and descriptive quality of the XF lens.

Conventional Color Filter Array

Lens with optical low-pass filters

1. Lens
2. Sensor
3. Optical low-pass filter

Traditonal optical low-pass filters inhibit moiré and false colors but consequently lead to a loss in resolution.

The repeating arrangement of the 2x2 pixel sets tends to generate moire and false colors when shooting stripes and other regular patterns.

Newly-Developed Color Filter Array

X-Pro1 No optical low-pass filter

1. Lens
2. Sensor
3. Inspired by the natural random arrangement of the fine grains of silver halide in film.

the new filter changes the rules of digital photography. Without using an optical low-pass filter, moiré and false colors are eliminated, but high resolution is maintained.

The high aperiodicity (randomness) of the arrangement of pixels in 6x6 sets reduces the occurrence of moire. Also the presence of an R, B and B pixel in every vertical and horizontal pixel series minimizes the generation of false colors and delivers higher color reproduction fidelity.

Feature 2FUJINON Interchangeable “XF LENS” and Original “X Mount”

No limits to image quality. 3 excellent single-focal length lenses and Fujifilm original “X Mount” desgined for maximum perfomance of the lens will promise excellent image quality.

Interchangeable Fujinon

FUJIFILM is pleased to announce the launch of two new models to the FUJINON XF Lens range bringing the total number of lenses available to five, offering much broader photographic appeal. Another unique five lenses will be added in the line-up in early 2013, making the total to 10 lenses.

XF LENS Roadmap

To exploit every photon of the exceptional descriptive performance of these new lenses, an original lens mount has been specially designed for X-Pro1. The reinforced mount ring is remarkably thin - approximately 2.5mm - further improving X-Pro1's slim profile when the lens is mounted. Using a 10 pin system, the lens instantly sends information to the camera body through the lens mount, making the lenses work seamlessly with the body and letting the photographer concentrate on what is really important - beautiful photographic expression.

Fujifilm original “X Mount”

A wider opening and deeper mounting of the lens

1.back focus
Specifically designed to maximize the mirrorless design of the body, the X-Mount has a short flange back distance of just 17.7mm. This means the rear lens elements are as close as possible to the sensor. The wide opening allows the lens to be mounted deeper within the body - up to 7.5mm (approx) from the mount surface - reducing the back focus distance of each lens to the minimum possible, thus achieving high resolution all the way to the edge of the image.
XF18mm / Back focus distance: 11.0mm
XF35mm / Back focus distance: 21.9mm
XF60mm / Back focus distance: 21.0mm

Feature 3Hybrid Multi Viewfinder

Next-generation Hybrid Viewfinder optimizes magnification according to the mounted lens.

Hybrid Multi Viewfinder

Featuring the freedom to switch between an optical and electronic viewfinder, the Hybrid Viewfinder has evolved to meet the challenge of interchangeable lenses. When an XF series lens is mounted, lens data are communicated to X-Pro1, and viewfinder magnification (2 types) and frame size (multiple steps) are automatically switched. Peering through the viewfinder with all your attention focused on the subject. This simple style of shooting is the both the first step back to the essential pleasure of photography. Every lens change reveals a new world of beauty to capture.

Optical Viewfinder (OVF)

Perfectly frame each shot with the sharply defined bright frame projected by a built-in, high-performance LCD panel. You also have the freedom to customize what information is displayed in the viewfinder for easy confirmation of the settings you need.

Perfectly Frame and Preview Your Shot with the Electronic Viewfinder (EVF)

Enjoy 100% coverage on a sharp image display produced by a 0.47-inch high definition LCD boasting approximately 1,440,000 dots of resolution. Delivering a crisp, clear display of the scene for both “Live View” framing and a quick post-shot review of your results, the EVF is ideal when composing macro shots and other scenes that demand high-precision framing.

(Left) Optical View Finder (OVF) (Center) Viewfinder Selector (Right) Electronic View Finder (EVF)

Optical View Finder (OVF)
Viewfinder Selector
Electronic View Finder (EVF)

1. Exposure Compensation
2. Depth of Field Indicator
3. Shutter Speed
4. Exposure Mode
5. Image Quality and Size
6. Number of Available Frames
7. AF Target Mark
8. Distance Indicator
9. ISO Sensitivity
10. Aperture
11. Shooting Frame (OVF only)

Magnifying System

When you change XF-series lenses, both the viewfinder magnification and bright frame size automatically switch to support the lens focal length. Viewfinder magnification switches to 0.37x when the 18mm lens is mounted, and to 0.60x for the 35mm or 60mm lens, letting you frame your shot with the bright, crystal clarity of an optical image. You can also manually set a focal distance and switch between viewfinder magnifications by holding down the viewfinder switch lever for over 2 seconds.

* 135 equivalent

Feature 5Color Reproduction of Fujifilm

Multiplex Exposure, Film Simulation modes and more to meet your expectations.

Color Expression with Film Simulation - Just Like Choosing the Ideal Photo Film

“Studio Ready” Professional Color Negative Film Modes for Perfect Portraits

PRO Neg.Std : Capture photos with soft gradations and exceptional skin tone description.

PRO Neg.Hi : Add a touch more tonal texture and color vibrancy to photo expression.

Reproduce Photo Film Expression with Film Simulation Mode

Just like choosing the perfect film to match your creative direction, the X-Pro1 can simulate the color and tonal qualities of acclaimed film brands including the true-to-scene natural look of PROVIA, the vibrant tonality and saturated colors of Velvia and the silky soft look and beautiful skin tones of ASTIA. Film Simulation mode makes it simple to capture the expressive color quality of the rich legacy of Fujifilm photo film technology.

PROVIA

Velvia

ASTIA

Enhance Monochrome Expression with Color Filters

Replicating the effects of monochrome film photography, X-Pro1 lets you use color filters to expand your photographic expression. Heighten contrast with the Ye filter and R filter. Brighten greens and deepen reds with the G filter. Just as pro film photographers once selected a filter and printing paper to complement their creative vision, you can easily tune image quality with filters. You can also transform your subject with the warm nostalgic tones of Sepia mode.

No Filter

Ye Filter

R Filter

G Filter

Add a New Dimension to Photographic Expression with Multiplex Exposure

In film cameras, multiplex exposure is the unique photographic technique of superimposing one image on another by double exposing a single frame of film. Through advanced digital processing, X-Pro1 can simulate this technique, expanding your creative expression. Just select Multiplex Exposure mode and take your first shot using either OVF or EVF. While viewing it on the LCD screen, you can frame and shoot the second exposure. This ability to precisely position and focus the second shot lets you not only “see” how the finished Multiplex Exposure image will look, but also explore other creative photographic possibilities.

1st exposure
View when shooting the 2nd exposure.
Finished Multiplex Exposure image

Selection of 4 Powerful Auto Bracketing Functions

Experience a wide world of photographic expression with a choice of 4 different auto bracketing functions (AE, ISO Sensitivity, Dynamic Range and Film Simulation).

AE Bracketing

One press of the shutter captures 3 shots of the same scene at different exposures. AE bracketing can be set in 1/3, 2/3 and 1 EV steps.

+1/3

±0

-1/3

ISO Sensitivity Bracketing

Based on a single exposure, this bracketing function automatically reproduces the scene as 3 images, each with a different ISO sensitivity and without changing the shutter speed and aperture, letting you capture the moment with varying degrees of brightness. Setting is possible in 1/3, 2/3 and 1 EV steps.

ISO200

ISO400

ISO800

Dynamic Range Bracketing

Press the shutter once and high-speed continuous shooting captures 3 exposures of the same scene, each at a different dynamic range setting (100%, 200% & 400%).

100%

200%

400%

Film Simulation Bracketing

Just release the shutter once and produce 3 images of the scene based on a single exposure, each image with a different Film Simulation effect that you have freely selected and pre-set.

Velvia

Monochrome (no filter)

Sepia

Feature 6Key Features of X-Pro1

Find great features in X-Pro1.

High Performance LCD Monitor

Approx. 1,230,000 Dots of High Resolution. Special Coating with Surface Reflectivity Under 0.2%*

Boasting a special anti-reflective coating (surface reflectivity of under 0.2%*), the superior LCD features high water repellency, a stain-resistant acrylic film and superb anti-glare performance for comfortable composition and confirmation of shots even under bright sunlight.

* Fujifilm research.

Q (Quick Menu) Button for Fast Shooting Menu Settings

Skip directly to frequently used shooting menus with the Q (Quick Menu) button. ISO sensitivity setting, White Balance, Film Simulation and other frequently used shooting settings are displayed in a list. Just use the 4-way controller to select the item and the command dial to change settings for speedy operation while shooting.

Swift Menu Page Selection and Scroll-free Navigation Within Each Page

In the Shooting and Playback menu, functions are organized into tabbed single-page screens for fast selection and setting. Just select a tab and find the item in the displayed list without scrolling.

1. Shooting menu (5 pages)
2. Set-Up menu (3 pages)
3. PlayBack menu (2 pages)
4. Set-Up menu (3 pages)

In-camera RAW Converter

The built-in RAW data converter lets you view results in the field without first transferring the data to a PC. This easy-to-use feature not only takes into account exposure compensation, white balance and other in-camera image quality settings, but also lets you apply Film Simulation modes in the converter mode.

Focusing

Selectable AF with a 49-point Metering Matrix

Within the screen, the auto focus area is divided into a 49-point matrix (25 points in the case of OVF). AF accurately and swiftly recognizes the primary subject and brings it into crystal clear focus, and also lets you freely select the position of the AF frame. When using the EVF and LCD, you can also change the AF frame size and pinpoint the focusing.

0.05-sec Shutter Time Lag Even Shooting with the EVF

Even in Live View, shutter time lag is only 0.05 sec so you can capture that exact instant and enjoy a comfortable shooting experience.

High-speed Auto Focus Achieved by Lens-Sensor Synergy

XF lens focusing is driven by a fast “DC coreless motor”. Accelerated by the combination of the high-speed signal readout of the X-Trans CMOS sensor and the newly developed EXR Processor, the improved contrast detection AF in X-Pro1 makes a huge leap in speed and precision, bringing your subject in to sharp focus in as little as 0.1 sec*.

* Fujifilm research.

2 Manual Focusing Methods

In the viewfinder, the distance index bar is displayed together with the depth of field scale and aperture value, providing helpful guides for focusing. You can also adjust focus by rotating the focus ring while checking the image in Live View and using the one-touch Focus Point Zoom to confirm a sharp focus.

AF Assist Lamp for Low-Light Scenes

In low-light settings where even the subject is hard to see through the viewfinder, the AF Assist Lamp illuminates the subject and assists Auto Focus.

White Balance Setting

Color Temperature (Kelvin Value) Setting

Compensate for the color of different light sources with a choice of 9 white balance presets in addition to Auto White Balance. You can also make custom white balance settings using a gray card or other surface, or select the optimum color temperature (Kelvin value).

Precise White Balance Setting

Fine tune white balance by adjusting R (red) ⇔ Cy (cyan) and B (blue) ⇔ Ye (yellow) in ±9 steps while viewing the through-the-lens image. You can make adjustments and confirm their affect on the actual image while shooting. It is ideal for precise correction of white balance or exploration of the creative effects that can be achieved with filters.

ISO100-25600 Sensitivity Setting Range

Expand the normal sensitivity range of ISO200-6400 to ISO100-12800 or even ISO25600. By assigning this setting to the Fn button, extended sensitivity is available at the touch of a button.

ISO Auto Setting

For dynamic lighting conditions, you can set a sensitivity ceiling within the range of ISO400-3200 and shoot with ISO Auto.

Image Quality Control

Color, Tone & Sharpness Adjustment

Fine-tune image quality with “Color” for color saturation adjustment, “Highlight Tone” and “Shadow Tone” for tweaking contrast in highlights and shadows, and “Sharpness” to stress or soften image outlines. With this built-in detailed image quality control, you can produce an image that precisely matches your creative objective.

2 Color Space Types

Select either sRGB for a standard range of color reproduction on general displays or Adobe RGB® for its broader color rendition depending on how you intend to output and use the image.

Noise Reduction Control

Choose from 5 different levels of noise reduction depending on whether your priority is the crispness of resolution or keeping noise reduction to a minimum, and explore the capability to tune sensitivity-related textural quality when shooting high-sensitivity scenes.

6fps High Speed Continuous Shooting

Shoot up to 6 frames per second with high-speed continuous shooting. Capture a series of exposures of moving subjects and other challenging photographic scenes and later select the best shot.

Motion Panorama

Capture Panorama Shots and Show Them in Stunning Large-size Prints

Just sweep the camera across the scene, and X-Pro1 captures multiple images and seamlessly stitches them together into a single panorama photo. Even when enlarged to an A3-size print, there is virtually no loss of resolution. Holding the camera horizontally or vertically or horizontally, Motion Panorama lets you shoot the scene with an “M” or “L” angle of view.

* Images are for illustrative purposes only.

HD Movie

Premium Quality Movies

Capture the action in Full HD movies (1920 x 1080, 24fps, max. clip length : 29 minutes). In addition to full AUTO exposure, you can also shoot with aperture priority AE. Taking full advantage of the bright XF lenses, you can also capture movies with a beautiful defocused “bokeh” background. Later with plug-and-play ease, you can connect X-Pro1 directly to your TV with a commercially available HDMI cable and share your movies complete with stereo audio on the big screen.

Power Control System

Power Save Mode for Up to 1,000 Shots on a Full Charge

Turn this mode on when using the optical viewfinder, and the power saving system is activated, tripling the maximum number of images per full charge from approx. 300 images in normal operation to about 1,000 images. It is ideal for stretching your battery capacity and getting a few more valuable shots out of your charge.

* When Quick Start Mode is OFF.
* Maximum shots in the case of a fully charged NP-W126 lithium battery pack based on FUJIFILM research.

Quick Start Mode

After turning OFF the power, the X-Pro1 enters a “sleep” status for maximum of 24 minutes. If the power is turned ON during this time, the X-Pro1 “wakes” in approximately 0.5 - 1.0 sec. and is ready for you to frame and capture the moment.

Customization Functions

Assign Frequently Used Functions to the Fn Button

Assign any one of the following frequently used functions to the Fn (Function) button and enjoy smooth one-touch controls during shooting.
Multiplex Exposure / ISO sensitivity (default setting) / Depth of field confirmation / Image size / Image quality mode / Dynamic range / Film simulation / AF mode selection (area selection/auto area) / Movie shooting / Custom setting / Self timer / RAW (one shot override) / White balance etc.

Save Custom Settings

Create, save and instantly recall up to 7 sets of user-defined settings covering all parameters from ISO sensitivity to white balance. No fumbling through menus and missing the shot. You are ready with your favorite pre-defined settings to smoothly capture the scene.

Specifications

Model Name	FUJIFILM X-Pro1
Number of effective pixels	16.3 million pixels
Image sensor	23.6 mm x 15.6 mm (APS-C) X-Trans CMOS with primary color filter Sensor Cleaning system Ultra Sonic Vibration
Storage media	SD memory card / SDHC memory card / SDXC (UHS-I) memory card^*1
File format	still image JPEG (Exif Ver 2.3)^*2, RAW (RAF format), RAW+JPEG (Design rule for Camera File system compliant / DPOF-compatible) movie H.264 (MOV) with Stereo sound
Number of recorded pixels	L : (3:2) 4896 x 3264 / (16:9) 4896 x 2760 / (1:1) 3264 x 3264 M : (3:2) 3456 x 2304 / (16:9) 3456 x 1944 / (1:1) 2304 x 2304 S : (3:2) 2496 x 1664 / (16:9) 2496 x 1408 / (1:1) 1664 x 1664 L Vertical: 7680 x 2160 Horizontal: 7680 x 1440 M Vertical: 5120 x 2160 Horizontal: 5120 x 1440
Lens mount	FUJIFILM X mount
Sensitivity	Equivalent to ISO 200 - 6400 (Standard Output Sensitivity) AUTO mode : AUTO (400) / AUTO (800) / AUTO (1600) / AUTO (3200) / AUTO（6400）* * After updating into the firmmware ver 2.00, menu of "AUTO(6400)" is added. Extended output sensitivity equivalent ISO 100, 12800 and 25600
Exposure control	TTL 256-zones metering, Multi / Spot / Average
Exposure mode	Programmed AE, Shutter priority AE, Aperture priority AE, Manual exposure
Exposure compensation	-2.0 EV - +2.0 EV, increment with 1/3 EV step
Shutter control	Focal Plane Shutter
Shutter speed (with mechanical shutter)	(P mode) 1/4 sec. to 1/4000 sec., (All other modes) 30 sec. to 1/4000 sec. Bulb (max. 60 min.) Time 2 to 30 sec. Synchronized Shutter speed for flash : 1/180 sec or slower (P mode or A mode) 1/160 sec or sowler (S mode or M mode) * 1/180 sec can be automatically set at some shooting conditions on P mode or A mode.
Continuous shooting	Max 6 / 3 fps selectable
Auto bracketing	AE Bracketing (±1/3 EV, ±2/3 EV, ±1 EV) Film Simulation Bracketing (Any 3 type of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%) ISO sensitivity Bracketing (±1/3 EV, ±2/3 EV, ±1 EV)
Focus	mode Single AF / Continuous AF / MF Distance Indicator type TTL contrast AF, AF assist illuminator available AF frame selection Area (EVF / LCD: 49 areas with 7 x 7, OVF: 25 areas with 5 x 5) / Multi * changeable size of AF frame: among 5 type
White balance	Automatic scene recognition Custom, Color temperature selection (K) Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, underwater
Film Simulation mode	10 type (PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, PRO Neg Hi, PRO Neg Std, MONOCHROME, MONOCHROME+Ye FILTER, MONOCHROME+R FILTER, MONOCHROME+G FILTER, SEPIA)
Dynamic range setting	AUTO (100-400%), 100%, 200%, 400%
Self-timer	Approx. 10 sec. / 2 sec. Delay
Flash modes	Hot shoe with TTL contacts; sync terminal Red-eye removal OFF: Auto, Forced Flash, Suppressed Flash, Slow Synchro, Rear-curtain Synchro. Red-eye removal ON: Red-eye Reduction Auto, Red-eye Reduction & Forced Flash, Suppressed Flash, Red-eye Reduction & Slow Synchro, Red-eye Reduction & Rear-curtain Synchro.
Hot shoe	Yes (dedicated TTL Flash compatible)
Viewfinder	Hybrid Multi Viewfinder Optical viewfinder Reverse Galilean viewfinder with electronic bright frame display Magnifications: 0.37x / 0.6x Coverage of frame area v.s. capturing area: approx. 90% Electronic viewfinder 0.47-in., approx. 1,440,000-dots color LCD viewfinder Coverage of viewing area v.s capturing area: approx. 100% Eye sensor installed Eye point: approx. 14 mm
LCD monitor	3.0-inch RGBW (White) LCD monitor, approx. 1,230,000 dots, (Approx. 100% coverage)
Movie recording	1920 x 1080 pixels, 1280 x 720 pixels (24 frames/sec.) with stereo sound Individual movies can not exceed 29 minutes in length.
Photography functions	Select custom setting, Motion panorama, Color space, Color (Saturation), sharpness, Dynamic range, Film simulation, Gradation, Auto red-eye removal, Framing guideline, Frame No. memory, Histogram display, Preview depth of focus, Focus check, Electronic level, Multiple exposure, Fn button setting (RAW, Movie, etc)
Playback functions	RAW conversing, Image rotate, Red-eye reduction, Photobook assist, Erase selected frames, image search, Multi-frame playback (with micro thumbnail), Slide show, Mark for upload, Protect, Crop, Resize, Panorama, Favorites
Other functions	PictBridge, Exif Print, Languages selection, Time difference, Quick start mode, Power save mode, Silent mode
Terminal	Video output - Digital interface USB 2.0 High-Speed HDMI output HDMI mini connector
Power supply	NP-W126 Li-ion battery (included)
Dimensions	139.5 (W) x 81.8 (H) x 42.5 (D) mm / 5.5 (W) x 3.2 (H) x 1.7 (D) in. (Minimum depth: 34.1 mm / 1.3 in.)
Weight	Approx. 450 g / 15.9 oz. (including battery and memory card) Approx. 400 g / 14.1 oz. (excluding battery and memory card)
Operating Temperature	0°C - 40°C
Operating Humidity	10 - 80% (no condensation)
Guide to the number of available frames for battery operation	approx 300 frames
Starting up period	Approx. 0.5 sec. ( Approx 1.0 sec, when QUICK START mode and Power save mode is set to OFF) * evaluated by FUJIFILM method
Accessories included	Li-ion battery NP-W126 Battery charger BC-W126 Shoulder strap USB cable Body cap Metal strap clip Protective cover Clip attaching tool CD-ROM (Viewer software, RAW File Converter etc.^*3) Owner's manual
Optional accessories	Li-ion battery NP-W126 Battery charger BC-W126 Shoe Mount Flash EF-X20 / EF-42 / EF-20 Diopter correction lens DPC+3 / DPC+2 / DPC+1 / DPC-1 / DPC-2 / DPC-3 M mount adapter Protector Filter PRF-58 58 mm Φ Protector Filter PRF-52 52 mm Φ Protector Filter PRF-39 39 mm Φ Hand Grip HG-XPro1 Leather Case LC-XPro1 * The lens of focal length at 35 mm or less can be placed in this leather case with the camera X-Pro1.

*1 Please see the Fujifilm website to check memory card compatibility.
*2 Exif 2.3 is a digital camera file format that contains a variety of shooting information for optimal printing.
*3 OS compatibility
Viewer software: Windows 7 / Vista / XP, Mac OS X 10.9-10.6
RAW File Converter: Windows 7 / Vista / XP, Mac OS X 10.9-10.7

Memory Card Capacity and Image Quality / Size

All figures are approximate; file size varies with the scene recorded, producing wide variations in the number of files that can be stored.

Number of images
Modes		Still image (L)
Number of recorded pixels		4896 x 3264 (3:2)		4896 x 2760 (16:9)		3264 x 3264 (1:1)
Quality		JPEG FINE	JPEG NORMAL	JPEG FINE	JPEG NORMAL	JPEG FINE	JPEG NORMAL
SDHC memory card	4 GB	620	990	730	1160	930	1450
SDHC memory card	8 GB	1250	1990	1480	2340	1870	2920

Number of images
Modes		Still image (M)
Number of recorded pixels		3456 x 2304 (3:2)		3456 x 1944 (16:9)		2304 x 2304 (1:1)
Quality		JPEG FINE	JPEG NORMAL	JPEG FINE	JPEG NORMAL	JPEG FINE	JPEG NORMAL
SDHC memory card	4 GB	990	1930	1160	2290	1470	2810
SDHC memory card	8 GB	1990	3880	2340	4600	2960	5650

Number of images
Modes		Still image (S)
Number of recorded pixels		2496 x 1664 (3:2)		2496 x 1408 (16:9)		1664 x 1664 (1:1)
Quality		JPEG FINE	JPEG NORMAL	JPEG FINE	JPEG NORMAL	JPEG FINE	JPEG NORMAL
SDHC memory card	4 GB	1850	3540	2170	4130	2750	3990
SDHC memory card	8 GB	3710	7110	4360	8290	5530	8020

Number of images
Modes		Still image
Number of recorded pixels		Motion Panorama L Vertical 7680 x 2160		Motion Panorama L Horizontal 7680 x 1440		Motion Panorama M Vertical 5120 x 2160		Motion Panorama M Horizontal 5120 x 1440
Quality		JPEG FINE	JPEG NORMAL	JPEG FINE	JPEG NORMAL	JPEG FINE	JPEG NORMAL	JPEG FINE	JPEG NORMAL
SDHC memory card	4 GB	480	950	720	1400	720	1400	1060	2100
SDHC memory card	8 GB	970	1910	1440	2820	1440	2820	2140	4210

Number of images
Modes		Still image (RAW)
SDHC memory card	4 GB	160
SDHC memory card	8 GB	320

Recording time
Modes		Movie^*4
Number of recorded pixels		Movie recording time
Quality		FULL HD (1920 x 1080)^*5	HD (1280 x 720)^*5
SDHC memory card	4 GB	38min.	54min.
SDHC memory card	8 GB	1hr. 16min.	1hr. 49min.

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